DUST

Drag the origin in the binaural field — the point where the bubbles are born follows your cursor, just like ORBIT places the source.

The spacing between echoes. Free (20 ms–2 s) or tempo-synced (1/16–1/2) so the bubbles spawn on the beat.

From a finite, clean burst of a few bubbles to an infinite cloud that grows — feedback regeneration with a log stability floor.

How wide the bubbles open around the head from the origin — a tight point to a storm scattered across the whole field.

From placed and static (rhythmic, mix-ready) to alive — floating, drifting and bursting. The character knob.

Dry/wet blend, plus DUCK so the echoes step back when the dry hits and return in the gaps. IN PHASE folds to mono-safe.

Each bubble is a delay tap convolved with the HRIR pair of its direction — it sounds at its position around the head, not just panned. Runs on the label's HRIR ring through DUST's own fixed-cost 16-direction bank.

A circular buffer with N interpolated taps; Rate sets the spacing between births, each tap with its own azimuth and decaying gain.

Density drives regeneration with a log stability floor — the "infinite" cloud crowds toward unity without ever diverging.

At high Life each tap's azimuth ramps per-sample between birth and death — the bubble floats and bursts, with bounded organic jitter.

Dragging the origin and moving each azimuth ramp per-sample with crossfaded HRIR — no zipper, no click on the star interaction.

Per-tap micro-fades, voice-stealing and a soft peak ceiling — overlapping bubbles never clip your master (measured true-peak sits at the ceiling).