How far the bands separate — scales the angle assigned to each bin. 0 = mono; 100 = maximum unfurl.
Your sound, unfurled across the field.
AURORA gives each frequency band its own azimuth — lows centred, highs fanning to the sides, or any curve you draw. It turns mono into ultra-wide stereo where the spectrum is physically unfurled across the field, like an aurora spreading its colours. No Haas, no delay tricks: real spectral re-placement by per-bin phase de-correlation — crystalline width that actually survives mono.
The frequency→position curve of the fan. Centre = lows-centre / highs-edges; negative leans the width into the lows and reins the air back toward the centre. The character of the fan.
The spectral fan opens and closes by modulating the map. With SYNC it locks to tempo — the unfurl pulses with the track (capped under ~20 Hz, no audible AM).
AURORA's own net: ties the lows to the centre below a cut (50→400 Hz). The ILD is useless under ~1 kHz, so the bottom never widens itself apart.
The fan closes when the dry hits and reopens in the gaps — the width breathes with the performance instead of sitting static.
Dry/wet by power law (the dry is delay-aligned to the block). IN PHASE folds the wide image to mono-safe in one click.
AURORA is on the way.
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Free · AGPLv3 · in the works